Space opera with nazis. I know this is an over the top version of a 1950s science fiction novel but I tend to take things too literally. I am very gullible. And I don't always recognize over the top situations in writing. So, I was left wondering, "What the hell? Why choose space nazis for the book?" Especially since there is nothing particularly nazi-like about the future space nazis. The only connections are the fascist salute, some spaceship names, and the swastika.
Anyhoo. Carter Sloan awakes from suspended sleep after 200+ years. Super-special-secret-deadly-agent Sloan is brought awake for a new mission but the facility he is in is attacked and Sloan himself is captured by rebels. Sloan bounces back and forth between a rebel group and the nazis who run most of the universe. He is alternately assigned to kill or capture a woman behind the rebellion.
Sloan is indoctrinated to obey orders and finish any assigned mission. He cannot easily follow his own wishes or desires. Things happen with sex, violence, space ships, gelatinous aliens, destroyed planets, faster than light travel, super sexy women, etc.
I enjoyed the book.
- I suppose I do recognize the silliness of much of the book - Gischler excels at silly insertions (yeah, twist that however you like) - but I hate nazis.
- Of course I enjoy most everything Gischler writes. The man has abundant skill and talent. I even read those endless Tweets about how much he misses Disneyland.
- Or those endless Tweets about how much he wants wine in his mouth.
- Or those endless Tweets about grilling.
- Or cleaning the kitchen.
- Or waiting for producers and publishers to return calls about work.